ATP welcomes Tempestt Hazel for a public talk.
Hazel is a curator, writer, and co-founder of Sixty Inches From Center, a collective of editors, writers, artists, curators, librarians, and archivists who have published and produced collaborative projects about artists, archival practice, and culture in the Midwest since 2010. Across her practices and through Sixty, Tempestt has worked alongside artists, organizers, grant makers, and cultural workers to explore solidarity economies, cooperative models, archival practice, future canon creation, and systems change in and through the arts.
An especially cherished moment for Tempestt was when she received the 2019 J. Franklin Jameson Archival Advocacy Award from the Society of American Archivists, which was the result of a nomination by archivists and members of The Blackivists.
Tempestt was born and raised in Peoria, Illinois, spent several years in the California Bay Area, and has called Chicago her second home for over 13 years.
DATES & LOCATIONS,
Wednesday, November 19, 4:30pmat KRESGE 1515
1880 CAMPUS DRIVE
EVANSTON, IL 60208
Visiting Artist Talk: Jesse Chun
ATP welcomes artist Jesse Chun for a public talk.
Chun's moving images, concrete poems, scores, and activations intimately unravel the dominant compositions of language and legibility — invoking alternate semiotics and cosmologies of meaning, time, transmission, and infinitude. Chun's first solo survey exhibition 시, language for new moons was presented by the Seoul Museum of Art for the 12th Seoul Mediacity Biennale in 2023, at the Seoul Museum of History. Chun's work has been presented internationally in solo and group exhibitions at Commonwealth and Council, Los Angeles (US); Art Sonje Center, Seoul; Thaddaeus Ropac, Seoul; Nam June Paik Art Center (KR); SculptureCenter, New York; The Drawing Center, New York; Queens Museum, New York; Ballroom Marfa, Texas (United States); Museum of Contemporary Art Toronto (Canada); Whitechapel Gallery, London (UK), among others. She was awarded the Joan Mitchell Foundation Painters & Sculptors Grant (US), Art by Translation research fellowship (Paris); the National Endowment for the Arts fellowship at ISCP (New York), and more. Chun's work is in the collections of Seoul Museum of Art (KR); Kadist Art Foundation (FR/US); Museum of Modern Art Library (NY); Smithsonian Institution (DC) Archive of American Art; Metropolitan Museum of Art Library (NY), among others.
Chun was an artist in residence at the National Museum of Modern and Contemporary Art (MMCA) Korea (2024-25). Currently based between Seoul (KR) and California (US), Chun is represented by Commonwealth and Council (Los Angeles).
DATES & LOCATIONS,
Thursday, November 6, 5:00pmat KRESGE 1515
1880 CAMPUS DRIVE
EVANSTON IL 60208
A guest lecture with curator Adrienne Edwards about her exhibition, Edges of Ailey, for the Whitney Museum of American Art. Edges of Ailey is the first large-scale museum exhibition to celebrate the life, dances, influences, and enduring legacy of visionary artist and choreographer, Alvin Ailey for the Whitney Museum of American Art.
This event is co-sponsored by Art, Theory, and Practice, Critical Dance Studies, and the Black Arts Consortium.
DATES & LOCATIONS,
Wednesday, April 23, 6:00pmat WIRTZ CENTER CHICAGO
ROOM 203
710 N LAKESHORE DR
CHICAGO, IL, 60611
Visiting Artist Talk: Aliza Shvarts
ATP welcomes artist and theorist, Aliza Shvarts, for a visiting artist talk.
DATES & LOCATIONS,
Wednesday, April 9, 4:30pmat FORUM ROOM
KRESGE HALL 1515
1880 CAMPUS DR
EVANSTON, IL 60208
Visiting Artist Talk: Laura Ortman
Laura Ortman creates across multiple platforms, including recorded albums, live performances, and filmic and artistic soundtracks. She has collaborated with artists such as Tony Conrad, Jock Soto, Raven Chacon, Nanobah Becker, Okkyung Lee, Martin Bisi, Jeffrey Gibson, Caroline Monnet, Tanya Lukin Linklater, Demian DinéYazhi, New Red Order, and In Defense of Memory. An inquisitive and exquisite violinist, Ortman is versed in Apache violin, piano, electric guitar, keyboards, and amplified violin, often sings through a megaphone, and is a producer of capacious field recordings. She has performed at The Whitney Museum of American Art, The Guggenheim, and The Museum of Modern Art in New York, the Musée d’Art Contemporain de Montréal, Artists Space, Venice Biennale, The Stone residency, The New Museum, imagineNATIVE Film + Media Arts Festival, The Toronto Biennial, and the Centre Pompidou, Paris, among countless established and DIY venues in the US, Canada, and Europe.
In 2008 Ortman founded the Coast Orchestra, an all-Native American orchestral ensemble that performed a live soundtrack to Edward Curtis’s film In the Land of the Head Hunters (1914), the first silent feature film to star an all-Native American cast.
Ortman is the recipient of the 2023 Institute of American Indian Arts Artist-In-Residence, 2022 Forge Project Fellowship, 2022 United States Artists Fellowship, 2022 Foundation for Contemporary Arts Grants to Artists, 2020 Jerome@Camargo Residency in Cassis, France, 2017 Jerome Foundation Composer and Sound Artist Fellowship, 2016 Art Matters Grant, 2016 Native Arts and Culture Foundation Fellowship, 2015 IAIA’s Museum of Contemporary Native Arts Social Engagement Residency, 2014-15 Rauschenberg Residency, and 2010 Artist-in-Residence at Issue Project Room. She was also a participating artist in the 2019 Whitney Biennial. Ortman lives in Brooklyn, New York.
DATES & LOCATIONS,
Thursday, March 6, 4:30pmat KRAUSE STUDIO
SWIFT HALL, ROOM 103
1920 CAMPUS DR
EVANSTON, IL 60208
