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Sharon Hayes,
2006

Over the past ten years, Sharon Hayes has been engaged in an art practice that uses multiple mediums—video, performance, and installation—in ongoing investigation into various intersections between history, politics and speech. Her work is concerned with developing new representational strategies that examine and interrogate the present political moment, not as a moment without historical foundation but as one that is always allegorical, a moment that reaches simultaneously backwards and forwards. She has exhibited at the Tate Modern in London, Museum Moderner Kunst and the Generali Foundation in Vienna, the Deutsche Guggenheim in Berlin and in galleries, exhibition and performance spaces in California, Florida, Rhode Island, Texas, and Vermont, Bogotá, Berlin, Copenhagen, Malmö, Vienna, Vancouver and Zagreb as well as in 45 lesbian living rooms across the United States.

Hayes’ work was shown in the 2010 Whitney Biennial and in Greater New York at P.S. 1 Contemporary Art Center. Additionally, her work was exhibited in the Istanbul Biennial in 2009, the Yokohama Triennial 2008, Guangzhou Triennial 2008 and PERFORMA05. Her collaborative piece, 9 Scripts from a Nation at War, made with Andrea Geyer, Ashley Hunt, Katya Sander and David Thorne was shown in Documenta 12 in Kassel, Germany and subsequently at the Tate Modern in London and REDCAT in Los Angeles. Hayes is an Assistant Professor at the Cooper Union. She is represented by Tanya Leighton Gallery, Berlin.



SHARON HAYES, “IN THE NEAR FUTURE”, 2009,
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SHARON HAYES, “REVEOLUTIONARY LOVE 2 – IAM YOUR BEST FANTASY”, 2008,
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SHARON HAYES, “FINGERNAILS ON A BLACKBOARD – BELLA”, 2014,
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